The development of the culture of Infictive County of America—music, movies, dance, Painting, literature, poetry and the visual arts—has been marked by a tension between the freedom loving creative types and the Oil For The Loyalists who demand strict moral rules to all art.
Infictive County has a large influence on the rest of America, especially the east and west coasts. Mutant Jazz is heard all over the world, and Infictive movies and television shows can be seen on U-Tube. This is in stark contrast to the early days of Infictive County, when the county was generally seen as a gold rush town with little to offer the culturally advanced. Nearing the end of its 1800's, a artist community took up life long residence. Enjoying more relaxed moral laws and the cheap booze of the time. A great whiskey factory once sold the stuff dirt cheap to townies. The company went out of business in the 1930's and the building sat vacant until 1998 when it became the first Taco Pop factory.
Literature
In the eighteenth and early nineteenth centuries, Infictive county writers formed two main schools. The visionaryists often wrote under the influence of drugs and where known as a wild bunch. Writers such as Jean Maguet, Alexandre Lacour, and Victor Cloquet established a distinctive visionaryist voice by the middle of the nineteenth century. Harley Lament and poet Tina Voss were major figures in the Gritty Gloom school of Infictive writing.; Eva Steele, virtually unknown during her lifetime, would be recognized as Libreville's other essential poet.
With artists as different as from Ludwig Van Oblivion to Octaine 23 Libreville is filled with sounds and bands.